Saturday 3 March 2012

Nanu Ki Nani-(For Ishi)

Nanu ki nani, Bari sayani, Kandhe per chaddh,Karti manmani
Nanu ko T.V.dekh, Dodi aati hai, Remote se jhhat, Chota Bhim deekhati hai
Naraj hota hoon, Pyari baten kar, Hasati hai
Choclate chips, Use manbhati hain
Mana karo kaheti, Na karoon aab nadani
Mall jane per, karti phir manmani
Nanu ki nani, Bari sayani

                                                                                            
                                                                                              

Sunday 15 January 2012

Kumaun- Places to Visit (Almora)

1. Almora District

Almora district is endowed with exceptional natural beauty and rich cultural heritage, exquisite handicrafts, delectable cuisine and exotic wildlife.
This charming hill resort was the flourishing capital of the Chand dynasty. The region was earlier under the reigns of the Katyuri king Baichaldeo, who donated this area to a Gujarati Brahmin Sri Chand Tiwari. In 1560 the capital of Chand Dynasty was shifted to Almora (from Champawat) by Kalyan Chand. The beautiful town is set on a 6 kms long horse saddle shaped ridge. It affords breathtaking views of the snowy summits of Himalayas and is an excellent place for a peaceful holiday.
2. Almora Tourist Map
Almora Tourist Map
3. Places to Visit in Almora
Chitai Temple : Eight kms from Almora is the Chitai Temple, dedicated to Golu Devta. An incarnation of Gaur Bhairav, he is reputed to make every wish come true, provided the worshipper ask for it with a clear conscience.
Kosi Temple (10 kms): The temple was built in the 12th century by the Katyuri dynasty. One of the earliest Sun temples in India.
Gananath (47 kms): Gananath is famous for an old Shiva Temple and many interesting natural caves in a charming landscape. It is located 47 kms north of Almora.
Someshwar : About 35 kms north from Almora, Someshwar has an ancient Shiva temple considered to be constructed by the founder of the Chand Dynasty, Raja Som Chand.
Kausani : This charming hill resort set amidst several snow- capped peaks is endowed with exceptional natural beauty. Mahatma Gandhi came here in 1929, and was fascinated by the scenic grandeur of Kausani.
Jageshwar : The pilgrim site located in a verdant valley is 38 kms from Almora and is believed to be one of the twelve Jyotirlinga's in the country. The Swayambhu Linga named Nagesh is enshrined here.
4. How to reach Almora
By Air: The nearest airport for Almora is Pantnagar (127 kms)
By Rail: Nearest railway station is Kathgodam (90kms), which is connected with Lucknow, Delhi and Kolkata (Howrah).
By Road: Almora is well connected by road. Main road distance from Almora are - Lucknow (466 kms), Dehradun (412 kms), Nanital (71 kms), Delhi (382 kms), Bareilly (205 kms), Kathgodam (90 kms), Pithoragarh (122 kms), Haridwar (357 kms), Haldwani (96 kms).

Saturday 14 January 2012

कुमाऊंनी शब्द

कुमाऊंनी शब्द
RELATIONSHIPS
MOTHER - IJA
FATHER - BABU
GRAND FATHER - BARBAJYU
GRAND MOTHER - AAMA
SON - CHAYAL
DAUGHTER - CHELI
DAUGHTER IN LAW - BUARI
SON IN LAW - JAWAIN
GRANDSON - NAATI
GRAND DAUGHTER - NAATIN
YOUNGER SISTER - BAIN
ELDER SISTER - DIDI
YOUNGER BROTHER - NAN BHAU
ELDER BROTHER _ DAJU
UNCLE - KAK / JHETH JA
AUNTY - KAKI / BHIN BUA/ THUL IJA
BRIDE/GROOMS FATHER - SAMDHI
BRIDE/GROOMS MOTHER - SAMDHIN
YOUNGER SIBLING - BHAU


BIRDS & ANIMALS
DOG - KUKUR
CAT - BIRAL
COW- GORU
HORSE - GHOR
MONKEY - BANAR
CROW - KAW
SPARROW - DHINOR
PARROT - SU
MAINA BIRD- SITOL


OTHER THINGS
SNOW - HYUN
RAIN - BARKH
BRIGHT SUN LIGHT - GHAM
WIND - HAW
SUN RAYS - TYUR
WATER SPRING - NAUL
DOOR - DWAR
LOCK - TAL
ROAD/ PATH - RAST / BAAT
BIG - THUL
SMALL - NAN
CLOTHES - LUKUD
LEAVES - PATT
RICE - BHAT
VEGETABLES - SAAG
TEA - CHAHA
HILL TOP - DAN
DOLL - GUDI



कुमाऊंनी-5


कुमाऊंनी-संस्कार 
The following are the major sanskars of a Kumaoni Brahmin:-
PACHAULI. On the fifth day of the birth of a child, the mother and the child are given a bath, followed by puja and singing of traditional songs.
CHHATI. This event is celebrated on the sixth day of a child’s birth. It is day long event and generally finishes in the evening. It usually consists of decorating the house with traditional aipans and other things, singing of traditional Kumaoni songs followed by lunch.
NAWAN. This is celebrated the ninth day of the child's birth. Basically it is celebrated in the same manner as the PACHULI.
NAMKARAN. On the eleventh day of the child’s birth the namkaran ceremony takes place. The house is decorated with AIPANS. Brahmin is called for puja. The child is exposed to the sun for the first time on this day , similarly he is made to touch the earth on this day. A coonch shell is wrapped in a new cloth and the brahmin takes it near the childs ear and very gently speaks the childs name in his/ her ear. This cloth is then kept in the puja place and used to make a dress which the child wears on his/her UNNPRASHAN day.
UNN PRASHAN. This event is celebrated in the fifth month in case of a girl child and the sixth month of a boy.The house is decorated with AIPANS. Guests are called, puja is done and later the mother does symbolic feeding of the child with a gold ring.it is a tradition to keep items like toys, silver coin, pen, ink, books, janau and knife on a big plate. The child is taken near the plateand encouraged to pick or touch any of the items. It is said that if he touches or pick the items as shown below he / she will be inclined to the profession as given below :-
Toys - games.
Silver coin - business.
Pen - beauracrat
Ink - writer/ intellectual pursuits.
Books - teacher.
Janau - religious bent of mind.
knife - soldier/ police.
Lock - the child is likely to fall into bad company when he grows up.
2. In today’s world the UNNPRASHAN ceremony is still done but people do not take these prophecies seriously. 
FIRST BIRTH DAY -This is also celebrated in the traditional way. The child is given a traditional bath in a big brass vessel called PARAT. Wheat flour is mixed with turmeric and used to rub the child. All relatives pour water over the child as a symbolic gesture. This is followed by a feast.
CHUDA KARAM. This is celebrated on the third birthday of a child. Five different pujas , GANESH PUJA, MATRI (Mothers) PUJA, KALASH STHAPANA, NAV GRAH (Nine planets) PUJA, and PUNYA WACHAN are done. After this the hair of the child are shaved off. The child’s ear are also pierced on this day.
AKSHAR AARAMBH. This is done on the child’s fifth birthday. In KUMAON the studies start in the fifth year. After puja of Ganesh, Saraswati and GURU PUJA, the Brahmin starts his formal studies on this day by teaching him the alphabets.
JANAU ALSO CALLED BARPAND. This is second most important day in the life of a male child. The house is decorated with AIPANS. Guests are invited. Puja on this day is more elaborate than on previous occasions. After puja the boy wears the sacred thread called JANAU. He takes pledge to remain a BRAHMCHARI till he completes his education. His head is tonsured on this day. This day is normally celebrated in the odd birthday like seventh, ninth, eleventh, thirteenth etc.
VIVAAH. Vivah or marriage is the most important day in any persons life, irrespective or his religious denomination. In India marriages ceremony are of various types for example BRAHMA or DEV VIVAH, GANDHARV VIVAH, ASYRA VIVAH and so on. In Kumaon DEV VIVAH or BRAHMA VIVAH is prevalent. In this form of ceremony the parents and the priest play the central role. Marriage ceremony in Kumaon is very elaborate affair.
3. VIVAAH The main events which take place are:- 
BARPAND or JANAU It takes place a day earlier in case the boy has not had his JANAU earlier. A boy cannot be married without his JANAU.
VAKYA DAAN. This means that the boys parents have given their word and the marriage is fixed.
TIKA. Unlike in the plains on this day the groom’s younger brother brings the engagement ring to the brides place and again unlike the plains he slips it into the bride’s ring finger. He also presents her with jewellery, sweets, clothes, and dry fruits. Similarly the girl’s side also sends the engagement ring and other such things for the groom.
SUWAL PATHAI AND RANGWALI. On this day GANESH puja is done. During the puja three small cloth pieces are taken in which turmeric pieces, ROLI, SUPARI, AXSHAT (soaked rice) and coins are put and tied. One each is placed in the kitchen, one on the entrance to the house and the third is tied to the wok/pan which is to be used for making various dishes for the marriage. Later statues of 'SAMDHI & SAMDHAN' are made by using TIL, RICE ATTA and JAGGERY. These are later put in a small basket and decorated. These are exchanged on the day of marriage. Big PAPARS are made of atta, dried in the sun and later fried. These Papars are called 'SUWALE'. These are also exchanged along with sweets on the marriage day. In so far as 'RANGWALI' is concerned it is a big piece of cloth which is to be used as a 'DUPPATA' and worn by the bride, her mother and all her female relatives, similarly it is worn by the grooms mother and his female relatives. Yellow cloth is used for rangwali. Small red spots are made on it by using home made vegetable dyes and later it is dried in the sun. It is made with the help of all female relatives, traditional songs are sung when it is made.
PURWANG. This is celebrated in the morning of the marriage day. Parents of the bride keep fast, puja is done. Later the bridegrooms family bring the 'UBTAN' (which is a mixture of ATTA, TURMERIC powder, RYE seeds, other traditional herbs and oil) used by the groom for his bath. All female relatives take turns to put this paste of UBTAN on the brides body. Later she is given a bath. The groom is also similarly given a traditional bath. The bride is required to keep her hair open. The brides father after puja ties a small yellow / pink cloth piece (called KANKAN) on the left wrist of the bride. A similar cloth piece is tied on the left wrist of the brides mother. Similar piece of cloth is also tied to the grooms right wrist. The cloth piece contains one whole beetle nut, turmeric piece, coins, 'AK-XATCH' (whole rice)and ROLI. These are opened on the fourth day of marriage.
BARAT. This is the arrival of the main marriage party. In the grooms house the grooms mother stands on the main door and blocks it and reminds her son the sacrifices she made in raising him. The groom gives his mother money which is symbolic of the sacrifices she made. His sister in laws and other female relatives decorate his eyes with black KHOL. The groom is then put on a horse and given a traditional send off. All female sing typical folk songs meant for this occasions.
DHULIARGH. (Its literal meaning is a ceremony conducted at a time when the cows are returning home) When the marriage party reaches the brides house, the bride’s brother receives him and uses a red umbrella to escort him to the spot where the marriage ceremonies are to take place. The bride’s father washes his feet as also the feet of the Brahmin who has come with the grooms party. They both are given clothes, watch, jewelery, and money. Later both the Brahmins tell those present, the family history of each side going back seven generations. The female relatives of the bride in the meanwhile sing traditional songs in the back ground.
KANYADAN. The literal meaning is 'giving a girl away'. During this ceremony both parties sit side by side. A small makeshift curtain separates the bride and the broom. The mother puts her 'ANCHAL' on top the bride and escorts her to the place of the marriage ceremony. Both Brahmins conduct the marriage ceremony by chanting traditional Sanskrit chants. The bride’s father gives his daughter hand to the groom. Later the whole ceremony is finished and the groom puts the red roli on the 'MANG' or hair parting of the bride. The girl is now deemed to have been married. The marriage party leaves for their house before first light. They are given a traditional send off where all females sing traditional marriage songs.
4. Marriages in Kumaon are simple. There is no ostentatious display of wealth, unlike the plains. There is no dowry taken or given. ‘SAMBANDH’ or the other party’s social standing and family background are very important. This is not linked to their wealth or other such issue. After marriage the bride returns home to her parents place after two days to a week, depending on the distance. This is called DURGUN or DURAGAMAN ceremony. She normally stays for a few days and then returns to her husband’s home. Gradually return home. Songs form a very important part of most of the ceremonies in Kumaon, more so in a marriage ceremony. 

कुमाऊंनी-4

कुमाऊंनी भोजन

Bal Mithai BAL MITHAIA very popular Sweet prepared from Khoya (Condesed Milk) and Coconut and wrapped in leaf which is pecular to Kumaon called Malu.


Singodi
 SINGODIA tasty Sweet prepared from Khoya (Condensed Milk) and Coconut and wrapped in a leaf which is pecular to Kumaon calledMalu.



Singal
 SINGALA local sweet snack made from suji, eaten during festivals. 




Alu ke Gutke
 ALU KE GUTKETypical kumaon Snack prepared from boiled Potatoes, cooked in Hot Spice with roasted Whole Red Chillies and Coriander leaves. 



Kumaoni Raita
 RAITARaita prepared with Cucumber, Curd and Mustard seeds with the pungent taste of Mustard. 



Sani hui muli and nibu
 SANI HUI MULIA typical refreshing and tempting mixture of Radish, Lemon, Curd and paste of Bhang seeds, eaten during winter season.


Sisunak Sag
 
SISUNE KA SAAGA Green leafy Vegtable Dish, prepared like other green vegetables. The leaves are locally known as "Bichhu Ghas".


Bhang ki Khatai
 A tasty Sour Chutney prepared with rosted Bhang seeds and Cumin seeds, mixed with lemon juice. 
Madua Ki Roti 
MADUA KI ROTI
Delicious and nutritious Chappaties made from Madua cereal.
Rus 
RUS
A typical Kumaon delicacy prepared with mixed Dal Stock, thickened by rice paste and served with Rice. 

Kappa
KAPPABoiled spinach, finely chopped and cooked with Spice and Curd, and thickened with Rice paste.

Gahat Ki DalGAHAT KI DAAL Dal prepared from Gahat, tempered with Gandherin, Asfoetida and Cumin seeds. 




Mixed Dal Balls
 
Highly nutritive Salad, to be served before meals as appetitiser. It is an innovative way to utilise Rus residue. 

Jhangora Ki Kheer
 
KHEERA Sweet Dish prepared with Milk, Sugar and Jhangora (a local cereal).

Lesu
LESU
Kumaon Bread prepared by stuffing Madua dough into Wheat Flour dough. (Eaten with a lot of Ghee.) 

कुमाऊं का इतिहास-3

कुमाऊं लोक - कला


Aipan is one of the traditional art (painting form) of Kumaon. It has great social, cultural and religious significance. Aipans are known by different names and is in popular in many parts of India with larger variations. It is called Alpana in Bengal, Satiya in Gujrat, Rangoli in Maharashtra, Chowk pooran in UP, Kolam in south India, Madne in Rajasthan, Arichan in Bihar and Bhuggul in Andhra.Ladies use all local and organic colors made of rice power called BISHWAR and GERU (filtered Red Earth powder) for making Aipan in Kumaon Hills. NO artificial colors are used. 


In Kumaon aipan are mostly drawn at places of worship, inside the house, main entry of house and in front courtyard. Some of these creations have religious importance and are drawn during certain religious ceremonies or occasions such as marriages, Thread ceremony, naming ceremony etc. However, with the wind of modernization blowing, this art is fast vanishing. The younger generation, born and brought up in cities outside Uttaranchal is not familiar with it. 


Traditional Aipan 

TRADITIONAL AIPANThe traditional aipan of Kumaon are drawn in linear form, geometrical pattern, flowers or imprints. These are mostly drawn for decorative purposes.





Aipan of Door Steps
AIPANS - JOSHI FAMILY

Doorsteps of the house are decorated with this kind of aipan. These are beautifully designed decorative aipan with great aesthetic value. The door steps are decorated with this type of aipan in combination with ‘Vasudhara’ the vertical lines made by dripping the ‘biswar’ (Rice floor solution made by soaking the rice and then grinding it which is used for drawing aipan).

Vasudhaara
Pooja Vedika, door steps of house, Place of worship, Tulsi (A structure made around the Tulsi Plant) etc. are decorated with vasudhara. Without Vasudhara, Aipan are considered incomplete. These are made by painting the place with ‘Geru’ and thereafter making vertical lines by dripping‘Bishwar’ . The dripping of ‘biswar' is carried out by Anamika (Ring finger). These are drawn in the blocks ,(consisting of lines in odd numbers like 5, 7, 9 or 11).

Swastik
AIPANS - JOSHI FAMILYSwastik has great significance in Aipan. It is drawn in some form or other in most of the religious rituals, as swastik in Hindu mythology represents all Gods and Goddess’, known or unknown. If someone does not have the knowledge of the Aipan to be drawn on a specfic occasion, Swastik is accepted as a substitute. Swastik represents the creation and progress. 

Any Aipan without dots are considered incomplete and inauspicious. During drawing the Aipan, one have to take care that the group or block of lines in traditional Aipan should end with the dots.

However Aipan without dots are drawn on the 12th day of some ones death (Peepal Pani or Shanti Path). On third day, these Aipan without dots are removed and fresh aipan with dots are drawn showing end of mourning period.


Astadal Kamal
AIPANS - JOSHI FAMILY
This aipan is drawn at the place where ‘Havan’ is performed. It is an octagonal geometry with lotus petals and a swastik is drawn at the center.







Lakshmi Padchinha
AIPANS - JOSHI FAMILY 
On Deepawali day, footprints of Goddess Lakshmi are drawn from main entrance of the house to place of worship.


Lakshmi Peeth

AIPANS - JOSHI FAMILY
This aipan is drawn at the place of worship where worship of Goddess Lakshmi, the goddess of wealth and prosperity, is performed on Diwali day.








Bhuiyan
Bhuiyan refers to the negative & harmful powers or bad omen. This is drawn on outer side of a ‘Soop’. It is generally an ugly and bad looking sketch of a demon. On the inner side of the ‘soop’ Lakshmi-Naranyan are drawn. On a particular day, this ‘soop’ is beaten with a sugarcane stick in every room and corner of the house. This signifies ousting of bad omen, ill fate or negative powers and welcoming of Lord Vishnu and goddess Lakshmi, the God / Goddess of happiness and prosperity.

Inside of SOOP

AIPANS - JOSHI FAMILY



Outside of SOOP

AIPANS - JOSHI FAMILY

Dhuliarghya Var Chauka

AIPANS - JOSHI FAMILY

At the time of Dhuliarghya, the bridegroom is made to stand on the Chauka when introduction and welcome of bridegroom is performed by chanting vedik mantra.






Acharya Chauka
AIPANS - JOSHI FAMILY
Acharya, ‘the kulguru’ who performs the marriage rituals from bridegroom’s side stands on this chauka at the time ofdhuliarghya.







Janeo
AIPANS - JOSHI FAMILY
At the place of Janeo’ or thread ceremony (ceremony where a brahmin wears a sacred thread), drawing this aipan is mandatory. This drawing has 15 dots in the center. It is also drawn at the place where men change their ‘janeo’ on Raksha Bandhan day.





Bhadra
AIPANS - JOSHI FAMILY
It is drawn at the place of worship and yajnaBhadra are of various forms depending upon the number of dots such as 12 bindu bhadra, 19 Bindu bhadra, 24 Bindu bhadra and 36 Bindu bhadra etc. Jyuti Sixteen mother goddess’ are worshiped after worshiping Lord Ganesha for trouble free execution of any task at hand or ceremony.These are called ‘matrika’ or ‘Jeev Matrika’or ‘Jyuti’ in kumaoni.To perform pooja of these goddess’, they are drawn on wall or on a board or paper now a days. Lord Ganesha is drawn in right side and matrika on the left side.




Namkarna Chauki
AIPANS - JOSHI FAMILY
NAMKARAN or Naming ceremony of a newborn is held on eleventh day. This is the first time when the baby is exposed to sun / open atmosphere (Surya darshan). This alpana is drawn in the courtyard where the surya darshan is performed. 






Some other types of Aipans are:
AIPANS - JOSHI FAMILY

AIPANS - JOSHI FAMILY


कुमाऊं का इतिहास-2




MIGRATION OF KUMAON BRAHMANS
Despite Kumaon being an integral part of the Indian mainstream, it has often experienced sociological and historical phenomena which are at variance with those in the rest of the country. This may be because of the distinctive geographical features of the region. In the last 4000 years, Kumaon has given shelter to and is, consequently, an amalgamation of various people who have migrated here from all places.

Kumaon is derived from the word "KURMANCHAL". It means the Land of the “KURM AVTAR", the tortoise incarnation of Lord Vishnu. Lord Vishnu is referred to as the preserver of the Hindu Trinity.As Adi Kailash (also known as Chotta Kailash) is situated in Kumaon Hills, the region has immense importance in Hindu mythology. This is more so since Adi Kailash is one of the three residences of Lord Kailash (Shiva), his wife Goddess Parvati and his sons Lord Ganesh and Lord Kartikey.

From 500 B.C. to 600 A.D, The Kunindas ruled the Kumaon region. Theirs was the first known ruling dynasty of Kumaon region. They reigned for almost 11 centuries at a stretch.

For almost five centuries after their reign ended, the Katyuri kings ruled the Kumaon region. Their rule extended from the 7th to the 11th century, withBaijnath, near Almora, serving as the capital. One of the many contributions of the dynasty was the building of the Sun temple of Katarmal which has seen more than 900 years pass by. It is situated on a hilltop facing eastward exactly opposite the town of Almora.

It is also believed that, in the 16th century, the famous Maratha warrior Chatrapati Shivaji Maharaj used shilas or granite stones from the sacred river of Kali Gandki for the famous idol of Pratapgad's Bhavani Devi.

The original inhabitants of Kumaon are said to have been the Kols (also related to the Mund, ethnic group). One of their groups migrated to Kumaon after they had been defeated by the Dravidians. The Shilpkars of Kumaon are said to be the descendants of the Kols. The Kirats are believed to have been the ancestors of the tribes which are today known as Shaukas, Banrajis and Tharus. While the Shaukas were active from the Tarai region toTibet, the Tharus and Boksas confined themselves to the Tarai, and the Banrajis had always lived in 'splendid' isolation.

Later on, the Khasas came from West Asia and settled down in many parts of Himalaya. A major portion of the population of Kumaon is said to have descended from the Khasas. After an indepth study of the languages, social traditions and customs of Kumaon, scholars have come to the conclusion that before the advent of the Khasas and the Kirats. Kumaon was inhabited by
the Kols. The Kols eventually surrendered to the Khasas. Many ancient texts mention the coming of the Shakas. After the Khasas, who can be called pre - Rigvedic Aryan tribes, the Vedic Aryans also came to Kumaon. However there is another school of thought which believes that migration of Aryans never took place and that Hindus or the Aryans have always been the residents of present day India, Pakistan and Afghanistan,
For details visit the site:http://www.gosai.com/chaitanya/saranagati/html/vedic-upanisads/aryan-invasion.html


Chand Dynasty of Pithoragarh is, usually, credited for the building and development of the modern Kumaon. With their capital at Almora, right in the heart of Kumaon, the dynasty ruled in the 17th century AD. It took the Chand rulers two centuries to complete the magnificent temple complex atJageshwar, near Almora which is dedicated to Lord Shiva. It boasts of amazing architectural beauty throughout the cluster of a hundred and sixty-four temples.

In so far as the CHAND Rajas of Kumaon are concerned, another theory is they were decedents of Jaichand, the last ruler of Kannauj, of the short-lived Gahadvala dynasty,and father of Sanyogita, (whose Swayamvar with Prithviraj Chauhan is a famous episode detailed in the Prithviraj Raso).Her choosing Prithviraj Chauhan at the swayamvara for which he was not even invited enraged her father. This led to a rift between Delhi and Kannauj kingdoms which was shrewdly exploited by Muhammad Ghori. Jaichand is also notorious for having sided with Muhammad Ghoriagainst his son-in-law Prithviraj in the First Battle of Tarain (1191AD). However, Jaichand was not killed by Ghori in the battle of Chandwar(1194 A.D.) He fled to Kumaon Hills with his entourage (his consorts, his concubines, his children and his coterie). His descendants later established a kingdom in Kumaon Hills. They were always fighting to establish their supremacy with the local tribals known as Khasis and eventually they managed to establish a kingdom in Kumaon Hills and later came to be known as 'Chand Rajas'.

After the beginning of the local dynastic history, inhabitants of Kumaon, most of whom were pastoralists, agriculturists and traders, were influenced from the 'savarnas' or higher castes who had come from different parts of India. This migration to Kumaon continued upto very recent times.Today Kumaon, is generally said, to consist of Brahmins, Rajputs and Shilpkars, with the Sahs or Shahs sometimes considered a separate caste. However, in order to be able to understand Kumaon fully, one must mention that it consists of Shaukas, Banrajis, Tharus, Boksas, Shilpkars, 'Savarnas' Gorkhas, Muslims, Bengalis and Punjabis (who came after partition) and Tibetans ( who came after 1960).

The  Brahmins of Kumaon Hills(Joshi, Pant and Pande), trace their roots to the Konkan region of Maharashtra. Most of them migrated to and settled in Kannauj, which was then a centre of Brahmanical influence. Kannauj is frequently referred to in the the epic Mahabharata and is alluded to by Patañjali in the second century B.C. In the 17th / 18th Century they again migrated from Kannauj and settled in the Kumaon hills of the Himalayas. The reasons for migration are lost in History, but it may have occurred because by the early years of the 13th Century Kannauj was incorporated into the Delhi Sultanate and by the 17th Century had lost all its relevance.

Brahmins(Or the Priest Community) of Kumaon Hills

The Brahmins (Priest Community) of Kumaon are the descendants of the Vedic Aryan priests who migrated from the plains.A large number of Vedic Brahmins migrated, along with the Rajputs, from Rajasthan and Gujarat. Similarly a large number of Brahmins also migrated fromMaharastra / Karnatak region. In a number of cases the Brahmins who came to visit the religious places in Kumaon, decided to settle there for good. Like in case of Rajputs, they started naming their settlements/ surnames after the name of their places of origin.

The reasons for migration are lost but common practices remain: the manner of the thread ceremony for instance, in which the Vedas are read for three days, and the anointed Brahmin asks for bhiksha (alms), gets his hair tonsured and ears pierced. The Brahmins were in charge of imparting knowledge to people, prayer and rituals.

Later Brahmins from Kumaon migrated to Nepal and Garhwal Hills. For example the all Joshi's from Garwhal Hills ascribe their origin to Kumaon; some from Joshiyana village near Hawalbagh, others from Jhijar, Galli and Joshikhola in Almora.

Some scholars have argued that the Bhumihar Brahmins of Eastern U.P. and in the state of Bihar, Mohyal Brahmins in the state of Punjab,Namboothiri Brahmins in Kerela, Havyak Brahmins of Karnataka, Anavil Brahmins of Gujarat, and Kumaoni Brahmins of Uttarakhand share the same lineage and are similar to Chitpawans in custom, tradition, practices, temperament and hold Bhagvan Parshuram in high esteem. The records of Swami Sahajanand Saraswati in "Brahmarshi Vansha Vistar" and Acharya Chatursen Shastri in "Vayam Rakshamah" points towards the same origin, by taking help of all ancient texts as well as prevailing customary practices and temperament of these illustrious Brahmins.

The prominent Brahmins clans of Kumaon are :-
Joshi's.
Pant's.
Pande's.
Tiwari's.

The important sub division of these clans are :-

1. Joshi's
Galli
Dania.
Shela Khola.
Jhijar.
China Khan.
Gangoli Haat.

2. Pant's
Uprara.
Jajyut.
Chitai.
Chitgal.
Kalsela.
Barset.
Khantoli
Khunt.

3. Pande's
Pande Khola.
Parkoat
Bairti.
Paan.
Khoont.
Chakata.
Patia

4. Tiwari's
Tiunara.
Chaunsar.
Dubkia


कुमाऊं का इतिहास (HISTORY OF KUMAON)

Background
Kumaon is one of the administrative divisions of Uttaranchal, India. It includes the districts of Almora, Bageshwar, Champawat, Nainital, Pithoragarh, and Udham Singh Nagar. It is bounded on the north by Tibet, on the east by Nepal, on the south by the state of Uttar Pradesh, and on the west by the Garhwal region.

The people of Kumaon are known as Kumaonis. Important towns of Kumaon are Haldwani, Nainital, Rudrapur, Almora, Pithoragarh, Mukteshwar and Ranikhet. Nainital is the administrative centre of Kumaon Division.

Kumaon Hills have their headquarters at Nainital. Kumaon region constituted an old Rajput principality, which became extinct at the beginning of the19th century. For some time region was ruled by Gorkhas. But People of Kumaon fought them bravely and with the help from British, threw them out. Later, the region was annexed by the British in 1815, and was governed for seventy years on the non-regulation system by three administrators,Mr. Traill, Mr J. H. Batten and Sir Henry Ramsay. In 1891 the division was composed of the three districts of Kumaon, Garhwal and theTarai; but the two districts of Kumaon and the Tarai were subsequently redistributed and renamed after their headquarters, Nainital and Almora.

Early History

The earliest historical references to the region are found in the Vedas. Specific mention of the mountains exists in the Mahabharata, dated to about1000 BC, when the protagonists of the epic, the Pandavas, are said to have ended their life on earth by ascending the slopes of a peak in Western Garhwal called Swargarohini - literally, the 'Ascent to Heaven'.

The Kumaonis have singular faith in the presiding deity of Kumaon - Nanda Devi, the Goddess of Bliss. The graceful peak of Nanda Devi , is visible from almost everywhere in Kumaon. Nanda Devi who is said to be the reincarnation of Parvati is said to represent the icy, unmoving form of Parvati in endless anticipation of her desired consort, Lord Shiva.

The word Kumaon can be traced back to the 5th century BC. The Kassite Assyrians left their homeland 'Kummah', on the banks of river Euphrates,and settled in the northern part of India. These inhabitants formed Koliyan tribe and having their new settlement as 'Kumaon'. Lord Buddha's mother, Mayabati belonged to this clan. Another version of the origin is that word Kumaon is believed to have been derived from"Kurmanchal", meaning land of the Kurmavatar (the tortoise incarnation of Lord Vishnu, the preserver according to Hindu mythology). The region of Kumaon is named after as such. Evidences of Stone Age settlements have been found in Kumaon, particularly the rock shelter at Lakhu Udyar. The paintings here date back to the Mesolithic period.

The early medieval history of Kumaon is the history of the Katyuri dynasty. The Katyuri kings ruled from the seventh to the 11th century, holding sway at the peak of their powers over large areas of Kumaon, Garhwal, and Western Nepal. The town of Baijnath near Almora was the capital of this dynasty and a center of the arts. Temple building flourished under the Katyuris and the main architectural innovation introduced by them was the replacement of bricks with hewn stone.

On a hilltop facing east (opposite Almora), is the temple of Katarmal. This 900-year-old sun temple was built during the declining years of the Katyuri dynasty. The intricately carved doors and panels have been removed to the National Museum in Delhi as a protective measure after the 10th-centuryidol of the presiding deity was stolen.

The Chands of Pithoragarh were the dominant dynasty which later ruled Kumaon . The magnificent old temple complex at Jageshwar, with its cluster of a hundred and sixty-four temples, was built by the Chand rulers over a period of two centuries. It is dedicated to Lord Shiva.
Language Spoken

The local dialects spoken by the people of Kumaon is termed as Kumaoni. The dialect however changes from district to district. According to ethnolinguists Kumaoni language has been given the code ISO 639-3:kfy.

The details are as follows:-
RegionUttaranchal, Almora, Nainital, Pithoragarh, Bageshwar, Champawat, Udhamsingh Nagar districts; Assam; Bihar; Delhi; Madhya Pradesh; Maharashtra; Nagaland. Central Kumauni is in Almora and northern Nainital, Northeastern Kumauni is in Pithoragarh, Southeastern Kumauni is in Southeastern Nainital, Western Kumauni is west of Almora and Nainital. Also spoken in Nepal.
AlternatenamesKamaoni, Kumaoni, Kumau, Kumawani, Kumgoni, Kumman, Kunayaoni
DialectsCentral Kumauni, Northeastern Kumauni, Southeastern Kumauni, Western Kumauni. People report the eastern dialects to be different. Names sometimes listed for dialects or subgroups are: Askoti, Bhabari of Rampur, Chaugarkhiya, Danpuriya, Gangola, Johari, Khasparjiya, Kumaiya Pachhai, Pashchimi, Phaldakotiya, Kumaoni, Rau-Chaubhaisi, Sirali, Soriyali. Most closely related to Garwhali and Nepali.
ClassificationIndo-European, Indo-Iranian, Indo-Aryan, Northern zone, Central Pahari


The People


The inhabitants of the Kumaon hills are commonly known as the Kumaoni. The social structure is based on the extended family system, the eldest male member being the head of the family. Women are respected in society but they usually confine themselves to household activities. No religious ceremony is considered complete without the wife joining the husband. Women also work in the fields and forests alongside the men.
Music and Dance

Kumaonis are fond of music, folk dance, and songs accompanied by local musical instruments like murli, bina, and hurka. The hurka is played by the“jurkiya” and the dancer accompanying him, known as “hurkiyari,” is usually his wife or daughter. They go from place to place narrating folklores, singing the praise of their gods and goddesses. During fairs and festivals and at harvest time, they often dance the Jharva, Chandhur Chhapalior,and many other forms of folk dances. The popular folk songs are Malushahi, Bair, and Hurkiya Bol.

Culture


The culture of the present Kumaon is a blend of influences from the indigenous population as well as from the immigrants to this region. Consequently, the myths, dialects, languages, folk literature, festivals, fairs and forms of artistic expression are examples of the creative influences of the different cultural groups that constitute Kumaon.
Every peak, lake or mountain range is somehow or the other connected with some myth or the name of a God or Goddess, ranging from those associated with the Shaiva, Shakta and Vaishnava traditions, to local Gods like Ham, Saim, Golla, Chhurmal, Kail Bisht, Bholanath, Gangnath, Airy and Chaumu. Temples are dedicated to the nine famous Goddesses, other local Goddesses, Bhairava, Surya:. and Ganesh. The temples at Jageshwar, Bageshwar, Binsar, Thalkedar, Rameshwar, Pancheshwar, Baijnath and Gananath are devoted to Lord Shiva. The temples of Devidhura, Gangolihat, Pumagiri, Almora, Nainital, Kot Ki Mai and Kotgari Devi are associated with the Shakt tradition, while the region of Lohaghat - Champawat (Mount Kandeo) is associated with Kunna Avatar. This region also has two famous Sun temples.


Festivals


Kumaoni Holi
The uniqueness of the Kumaoni Holi lies in its being a musical affair, whichever may be its form, be it the Baithki Holi, the Khari Holi or the Mahila Holi.The Baithki Holi and Khari Holi are unique in that the songs on which they are based have touch of melody, fun and spiritualism. These songs are essentially based on classical ragas. No wonder then the Baithki Holi is also known as Nirvan Ki Holi.
The Baithki Holi begins from the premises of temples, where Holiyars (the professional singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music.Kumaonis are very particular about the time when the songs based on ragas should be sung. For instance, at noon the songs based on Peelu, Bhimpalasi and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan and Yaman etc. The Khari Holi is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, who sporting traditional white churidar payajama and kurta, dance in groups to the tune of ethnic musical instruments.

Harela and Bhitauli
On the first day of the navaratris (nine day holy period) of the month of Chaitra women fill baskets with soil and sow seven types of grains in them. The grains germinate symbolizing the future harvest. These yellow leaves, called Harela, are cut on the tenth day and people put them on their heads and behind their ears. During the month of Chaitra (March-April) brothers send presents to their sisters and parents to their daughters. These presents are called Bhitauli.
However, the more popular Harela is the one that is celebrated in the month of Shravan to commemorate the wedding of Lord Shiva and Parvati and to welcome the rainy season and the new harvest. On this day people make Dikaras or clay statues of Gauri, Maheshwar, Ganesh etc. and worship them. Even the overworked bullocks are given a rest on the occasion of Harela. People put the blades of freshly cut Harela on their heads and send them to their relatives and friends as well.

Bat Savitri

This festival is celebrated on the Krishna amavasya (last day of the dark half of the month) of Jyestha and on the day married women worship Savitri and the Bat or banyan tree (Ficus benghalensis) and pray for the well being of their spouses. Women observe fast in honour of Savitri and Satyavan and remember how Savitri through her intense devotion saved her husband from the claws of death.
Janopunyu

The people of Kumaon celebrate Raksha Bandhan and Janopunyu, the day on which people change their janeu (sacred thread). On this day the famous Bagwal fair is held at Devidhura in district Champawat.
Ganga Dusshera or Dasar
Ganga Dusshera is celebrated on the Shukla dasami of the Jyestha (May - June). The sacred Ganga is worshipped on this day and Dusshera posters (dwarpatras or dasars), which have various geometric designs on them, are put up on the doors of houses and temples. These posters, once hand written by brahmins, are now printed. On this day people bathe in the holy rivers.

Basant Panchami

The festival of Basant Panchami celebrates the coming of the spring season. This festival, which also signals the end of winter, is generally celebrated during Magh (January - February). During this festival people worship the Goddess Saraswati, use yellow handkerchiefs or even yellow cloths and in a few places people put a yellow tilak on their foreheads. This festival also marks the beginning of holi baithaks.
Literacy Rate

A key factor going in Uttaranchal’s favour in attracting services and industrial investments is its significantly high level of literacy.The overall rate of literacy in the state is 72.3 per cent. This endows it with large pool of educated labour that industry can draw from. Importantly, the spread of high level of literacy is even across the rural and urban sectors with the respective literacy rate of 68.5 and 81.5 per cent.The total school enrollment ratio for Uttaranchal for the age group of 6-17 was at 87 per cent, significantly higher than the all India ratio of 72 per cent.
Uttaranchal/Uttarakhand District Map